- Tecmo, 1989 -
|+ VS. -
|IF YOU LIKE...
|SECRETS & TIPS
Delights... Camera... ACTION!
Tecmo's directorial debut, Ninja Gaiden, showcases a slice of the silver screen, while bringing a whole new meaning to the word, stage. By taking your everyday, run-of-the-mill, quarter-engulfing, arcade fare (which the arcade version of Ninja Gaiden essentially was, with its multitude of cloned, horror villain, Jason Voorhes, from Friday The 13th), and totally reimagining it with its patented "Cinema Display (TECMO'S unique system)," Ninja Gaiden crushed conventions of what action gaming could be in the late 1980s, and forever forward. (Interestingly enough, the game was re-rebooted in 2004 for the Microsoft XBox with an insane degree of difficulty... yes, even more difficult than this title [Read more to find out the details.])
Ninja Gaiden is an engrossing tale, finessed with an awe-inspiring, cinematic flair. Referred to as one of the "Tecmo Theater Games" in its manual, Ninja Gaiden is presented in Acts with new storyline scenes being spliced between stages, motivating the player to advance. The story is rife with intrigue and mystery, and features a curious mix of characters — a mysterious woman on your trail named Irene Lew; shifty CIA agent, Foster; and a larger-than-life antagonist, Guardia le mieux, better known as the Jaquio.
Meet the star of the show — YOU as Ryu Hayabusa!
But, the true genius in this title is its original use of cinematic techniques that play out like the commands one might hear barked out from the director's chair — wipes, pans, cuts and tilts — punctuated by a memorable score and dead-on musical cues. Its script leaps from the designer's storyboards and comes alive from the opening scene that depicts a fateful meeting of dueling ninjas.
From just that single viewing of the game's Prologue, the player realizes that he/she is witnessing something special and becomes transfixed, sitting back, watching intently with popcorn in hand. But, wait... there's no time for the casual, uninvolved spectator! To actually see where this story goes, you must become an active participant and serve as the star of the show, assuming the role of leading man, Ryu Hayabusa — ninja extraordinaire, outfitted in midnight blue cowl and scarf, heir to the otherworldly "Dragon sword of the Hayabusa clan."
Perhaps unwittingly getting yourself into a role that may not be quite as fun as it seems from the relatively-innocuous start at Galesburg and Jay's Bar, Ryu's journey for exacting vengeance for his slain father will lead him to the Americas.
The earliest levels let you feel your way through a city street, perfecting the esoteric Ninja arts of the "Wall-Spring Jump" and "Wall-Spring Climbing Jump" (similar to Capcom's NES version of Strider, but much easier to perform), scaling buildings and clinging onto neon signage that looks conspicuously like a certain worldwide, carbonated drink's logo. In between your lessons, you begin attaining mastery of your sword, slashing lowly street thugs, recruited boxers and other dimwitted enemies with precision and ease — all the while, being lulled into a false sense of ease and easy-going by the sluggish main boss in Jay's Bar, Barbarian, who lethargically drags his ax. So far, so good. No bottomless pits, tough jumps to complete or complicated, combat patterns to recognize.
Irene Lew doesn't appreciate Ryu's sexist remark, as she displays her disapproval with a show of Girl power!
Then, suddenly, a mysterious woman appears in the bar and snaps you and Ryu out of the malaise with whiplash-like effect. Before you know it, Ryu (and you) are startled by the crack of gunfire, and from this point forth, you launch from the starting block, ready to make your way through the 20 grueling stages that cover the game's 6 Acts.
Just when you thought you had a sure footing on things in Galesburg and Jay's Bar, the game's levels increasingly become more and more treacherous. With less terra firma, and just plain more terror, the cautionary, yellow-and-black striped, construction zone of the Outpost, and the perilous drops of the aptly-titled Death Valley, where crumbling, concrete walkways and supports (stone pillars à la Rygar — another of Tecmo's games — and Castlevania by Konami) somehow defy logic and gravity, reveal hints of the troubles ahead.
Crystal Lake (once again, Tecmo seems fixated on the Friday The 13th series) is where you first make acquaintance with one of the Nintendo era's most maligned and hated, minor enemies — the swooping birds. Learning to dodge the hail of birds homing in on Ryu, as you play hopscotch over staircase-like piers, lined with missing clusters of planks, will serve you well, preparing you for later levels that are much-less forgiving.
Once you overcome the anything-but-calm waters of Crystal Lake, Ryu's pursuit will lead him, inexplicably, into the snowy passages of Lizard Mountains (reminiscent of Contra's Snow Field), where armed soldiers stand between our hero and the toughest member of Jaquio's "Malice Four" yet — Basaquer.
's pixel-perfect portraits and multilayered landscapes still stand up today.
Next up, the Lizard Mountains stage continues the grueling training of learning to nimbly navigate precarious paths and dodge deadly falls at a high-tempo — essential skills for learning to endure and persevere through the later levels. But, don't forget to take some time along the way to admire some of the finest 8-bit artwork seen on the NES — from the exquisitely-detailed, wizened features of archaeologist and old friend of Ryu's father, Walter Smith, to the breathtaking vantage point found in the South American Amazon level.
From this point on, the game takes a harsh turn off into tales of demon statues, and corkscrews into an even more brutal level of challenge. Ryu's journey will have him venturing through such lovely haunts, as the Hall Of Demons (perfectly capped by the paranoia-inducing, The Twilight Zone-themed soundtrack in this grim level, guarded by Jaquio's pet dog, Kelbeross [See Secrets & Tips Section below to learn how to pass Kelbeross]); the bleak Prison Of The Dead (deep depths reminiscent of Castlevania again... the deep plummet that Simon Belmont takes at the end of the third stage is paralleled by Ryu here); the acrophobic Cliff and Nails Of Lukifell (where cliff-diving can quickly become an unfortunate sport, or unwanted and forced choice of habit [See Secrets & Tips Section below to pass the near-impossible jump near the end of 5-2]); and the maddening climax with Bloody Malth, as he summons lightning to vaporize Ryu at the Place Of Red Execution.
Bloody Malth is the final member of Jaquio's "Malice Four," and proves to be the most worthy competitor of the pack.
The last level consists of crossing the Death Bridge (6-1) to enter the Temple Of Darkness. Once there, the climb through the enraging Hall Of Brahmans (6-2) and the condemning Hall Of Judgement (6-3) is a torturous gauntlet of unrelenting wrath... only to be capped off by The Black Throne, where not one, not two... but three consecutive main enemy fights sandwiched between momentous acts await you.
Upon failure to beat any one of these adversaries, Ryu will be ejected back to the start of the lowest story of 6-2. This is when Ninja Gaiden reveals why it induces more nightmares with birds and vertigo than Hitchcock ... if you can weather the waves of dive-bombing birds and spasmodic respawning of enemies (especially above the bottomless pits), and can temper (pardon the pun) the tempest of rage that will set in on these final levels and during the main battles, consider yourself a true gamer. Patience, memorization of enemy attacks and spawnings, and the boldness and bravery to forge forward without hesitation and with reckless abandon in many cases, is key.
What's a great film without a larger-than-life villain? In the case of Ninja Gaiden
, it is Jaquio.
Be forewarned, Ninja Gaiden will test you like few others. Jaquio; his pet dog, Kelbeross; and the "Malice Four" — Jaquio's crew of "killer B's" (Barbarian, Bomberhead, Basaquer, Bloody Malth) will stand in Ryu's way, no doubt, but the real challenge is actually being able to pass through the stages to reach these major bosses.
The stages are crawling with a motley crew of crazed henchmen, ranging from what appears to be football players (seemingly misplaced or lost from Tecmo Bowl - its signature football title of the time), mutated figures and ghastly wraiths to beady-eyed bats that are nearly undetectable, until an ill-timed jump; big cats leaping over ledges and those aforementioned kamikaze-crazed birds shrieking by.
It's not the quantity of foes, though, that makes Ninja Gaiden so difficult; it is the tricky patterns and nonstop respawnings, especially over pits that must be perfected. A majority of the game's malevolent menaces materializing out of the ether, especially in the final stages, seem hellbent on ricocheting Ryu into the great unknown without a safety net.
Perhaps the under
statement of the year!
With each of these stinging stoppages in the action, the crackled shell of the most composed gamer begins to give way. To further intensify the angst, the fast tempo soundtrack ticks down at a break-neck pace, like a fuse burning down to the bomb, subconsciously boring into the player's mind.
To overcome Ninja Gaiden, one has to quiet the environment. One has to quickly regroup and let go of the aggravation that can and will consume you; one's mettle must reach a zen-like state to let go and march forward, or else one will be doomed trying to exact vengeance. (Like Battletoads, memorization of the patterns of enemy attacks and power-ups under high-speed, pressurized gameplay is imperative.)
You must quickly become a convert and true-believer of the adage, "Look before you leap." Each jump is a split-second deathtrap, so the player must learn to make precalculated moves, almost like chess, to lure out the would-be perpetrators.
's unforgiving learning curve and difficulty can make this game feel like it's for the birds.
On the upside, Ninja Gaiden isn't all gloom and doom; the game does throw Ryu a few bones, with perhaps the biggest gift coming in the form of unlimited continues. Even with this gracious gift, though, the most worthy ninja will wish for more, as he/she will undoubtedly, rotate through several just to catch a glimmer of hope of ever revealing the game's climactic ending.
The other nod of sympathy that the programmers and designers share comes in the form of power-up items that appear at regular intervals across the game's many stages. Konami's Castlevania hid its power-ups in candles in much the same manner; however, candles are swapped out for lanterns, lamps, birds, spiders, dragonflies and sundry other objects in Ninja Gaiden.
Ninja Gaiden's power-ups include:
- Throwing Star
- Windmill Throwing Star
- The Art Of The Fire Wheel (with its upward arc that scorches all evil within its path)
- Jump & Slash Technique (similar to Samus Aran's Screw Attack from Metroid, this powerful weapon in particular, can easily eliminate almost any enemy — including main enemies! — in just one whirling attack! Also, it can be argued that the Jump & Slash Technique served as a very strong, inspirational impetus for the 2004 hack-and-slash reboot of Ninja Gaiden. [See Secrets & Tips Section for more.])
- Invincible Fire-Wheel
- Time Freeze
- and even the invaluable 1UP!
(Note: When you possess a power-up item, be sure to hold ▼ when you stab with your sword, so as to not accidentally use the special attack when unwanted.)
The special weapons that Ryu finds are powered by Spiritual Strength (the red is worth 10 points, while the blue is 5 points) and cost a different amount of points per usage. (Note that the Invincible Fire-Wheel costs no Spiritual Strength, but can be only used once and disappears after its timer ticks down, leaving no weapons behind once it vanishes. Also, note that the Time Freeze does not cost any Spiritual Strength points either, however, other special power-up weapons can be used, while time is frozen!)
Castlevania's candles aren't the only flames of inspiration that Ninja Gaiden gleaned from the classic title; several other aspects of Castlevania served as a fitting muse for Tecmo's development and design team. The team at Tecmo traced the template of Konami's model, and filled it in with a motif of ninjas, vengeance, the C.I.A. and demons, completing it with a flourish of cinematic might. Take a closer look, beneath the surface below:
- Similarities & Inspirations -
Comparisons of Menu
Screenshot of Ninja Gaiden
Screenshot of Castlevania
||TIME [almost the same]
|P - 02
||P - 03 [same]
|NINJA/ENEMY meters with 16 bars of energy
||PLAYER/ENEMY meters with 16 bars of energy [just different name for player]
|Collected "Power Item" [picture of weapon in square-framed corners]
||"Weapons Indicator" [picture of weapon in red square]
|"Spiritual Strength" [equivalent of Hearts with symbol/icon next to double-digit placeholder]
|Hearts [hearts symbol/icon next to double-digit placeholder - very similar/same idea]
|Lanterns, etc. [very similar/same idea... struck with sword to reveal "Power Items" and "Bonuses"]
||Candles [broken open to reveal power-ups and bonus points]
|Time Freeze [5 seconds with enemies frozen in time, however, the game's clock continues to tick down], but does not replace "Power Item"
||Watch [very similar effect with most enemies, and the game's clock being frozen in time for 3 ticks]
|"Restoring Physical Strength" [6 energy bars are recovered]
||"Pork Chop" [although, it looks like turkey, very similar/same idea restoring 6 energy bars]
[items that reward points]
|Money Bags and Treasure [same idea - items that reward points]
|"Windmill Throwing Star"
||Boomerang [very similar weapon]
|similar set of minor enemies
||Raven, Vampire Bat, Black Leopard, Black Knight, Hunchback in particular
|Jaquio's Castle, as prominent point of game
||Dracula's Castle, as backdrop
|the use of cinematic techniques and direction in film
||Castlevania's play off of old films, from title screen with film sprockets to the game's main enemies and ending
RETURN TO IF YOU LIKE NINJA GAIDEN... SECTION BELOW
It is true that the movie-like feel (seen especially in the ending) of Castlevania has been absorbed and illuminated throughout Ninja Gaiden. However, it cannot be understated that although Tecmo found much inspiration, they still created a wholly-new experience and a masterpiece that stands on its own. Tecmo proved that an 8-Bit medium could tell a strong story and could creatively convey plot through beautiful graphics and music.
Ninja Gaiden left an indelible stamp on the gaming world, much like the etched dragon carving on Ryu's blade. Its theatrical aspirations were so great that it spawned many imitators, but inferior games with lesser efforts and expertise could never reach or capture that same level of magic found in this "Tecmo Theatre Game."
Tecmo's superior effort was so good that it left little for the cutting-room floor, with the exception of some content that Nintendo's stringent censorship policy of the day may have deemed objectionable. Its demonic backstory may have cast a long, dark shadow that probably had Nintendo's censors clamoring, and it is conceivable that Tecmo's developers nervously buckled, adding a geometric point to the notorious shape that is prominently-displayed in 6-2 (Hall Of Brahmans), 6-3 (Hall Of Judgement), 6-4 (The Black Throne) and on Jaquio's garments to form a safer hexagram as an acceptable symbol instead.
You will feel all of Ryu's rage by the time you reach Jaquio — if
you reach Jaquio.
One can speculate that other questionable ideas that may have been covered up or glossed over, could be found in the redesigned soda logos on the signs of Galesburg, and in the names, Kelbeross (very similar to Cerberus, the mythological three-headed dog that guarded Hades) and, especially, the Nails of Lukifell (where the name "Lukifell" might just be an altered form of the name, Lucifer, where the letters "k" and "l" were switched out for "c" and "r" respectively).
In closing, this stunning debut by Tecmo presents a director's cut that is as sharp as the steely edge of Ryu's Dragon Sword's blade. This cinematic sensation sparked a generation of game designers and players alike, and incited a number of them to skip that Filmmaking 101 course, and to sign up, instead, for the marathon of mettle and might that was/is Ninja Gaiden. Ninja Gaiden is a study in excellence, just bear in mind that you'll need several rehearsals to nail this part!
b. jones © 2015
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